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Showing posts with label Hindi Cinema. Show all posts
Showing posts with label Hindi Cinema. Show all posts

Thursday, 21 December 2017

The New Wave Cinema or Parallel Cinema of Bollywood

December 21, 2017 0 Comments

Mrinal Sen is considered to be a pioneer of the new genre called ‘ New wave’ Cinema . In the late 60s soon after the release of his BHUVAN SHOME (1969)with the success of the film this genre took the birth in Hindi Cinema.Some critics are of the view that Shyam Benegal’s ANKUR (1974) was the real path – breaker and that Benegal was the pioneer of the New Wave genre.



Both Mrinal Sen and Shyam Benegal inspired many young film makers of the 1970s and 1980s, particularly graduates of the FTII, Pune . There were admirers and detractors for the new cinema.There is no doubt that these movies opened a new chapter in the history of movies in India. A totally new generation of film makers emerged. They used new techniques and evolved a new cinematic language, which was sometimes called idiosyncratic.
Without imitating the techniques of commercially successful movies which are usually mixtures of rapid action , maudlin drama , violence , erotic dancing and singing a parallel cinema also flourished side by side.

Many of these movies were not ‘ hits’ at the box office but they earned the respect and admiration of National and International film – makers and critics . Big names include Govind Nihalani , Ketan Mehta , Mani Kaul , Kumar Shahni , Sayeed Mirza , Adoor Gopalkrishnan , G. Aravindan , John Abraham , Nirad Mahapatra and Girish Kasaravalli . All of them pioneered a new path in film making. All their films differed from the ones generally ‘manufactured’ in the ‘masala’ or ‘ fixed formula’ mould . Since these movies were not produced fixed formula’ mold .
Scene from Chhoti Si Baat

In the 1970s, there was also the parallel cinema, with directors like Hrishikesh Mukherjee and Basu Chatterjee and Gulzar and later, Sai Paranjpye. Their films had songs and dances and sentiment and appealed to the middle class.Their films were commercially successful.By the mid 70s Action films making big success for few years this type of cinema struggled
Today with the emergence of Multiplexes this type of cinema got a new life.Young directors like Nagesh Kukunoor (Hyderabad Blues, Bollywood Calling and Iqbal), Sudhir Mishra ( Hzaron Khawaishen Aisi ) and Anurag Kashyap (Black Friday) have been able to make a mark thanks to the multiplex phenomenon . Small low budget films like Being Cyrus, Mixed Doubles, Joggers Park and other feature films were released in such theatres..
 Subjects like Constipation(Piku),Homosexuality, old age (Being Cyrus), HIV-Aids (My Brother Nikhil), live-in-relationships (Salaam-Namaste), communication with the physically and mentally challenged (Black, Iqbal ) sperm donation(Vickey Donor) are now very well accepted.We can see many more films on new subjects.
Song from Nishant


Song from Manthan


Song from Bhumika 1977


Song from Bazaar 1982


Song from Arth 1983



Thursday, 14 December 2017

50 Years of RAM AUR SHYAM

December 14, 2017 0 Comments

Exactly today Ram Aur Shyam turns 50.the film was released on 15th Dec 1967.Ram Aur Shyam was the remake of the popular Telugu film Ramudu Bheemudu, which in turn was loosely based on Alexander Dumas’s The Corsican Brothers. The film was a super hit.
The success of Ram aur Shyam, directed by Tapi Chanakya, must be credited to two great actors – Dilip Kumar and Pran. The music by Naushad, with lyrics by Shakeel Badayuni, adds to the movie’s charm. One of the best songs is Aaj Ki Raat Mere Dil Ki Salaami Le Le, in which Shyam bids farewell to Rehman before abandoning his fake identity as Ram. 
Dilip Kumar played Double Role in this film.He got Best Actor award by Filmfare for this film.
He is both Ram, the timid and seemingly mentally-retarded son of a millionaire industrialist, and Shyam, a sturdy yeoman brawler with an appetite like that of the legendary Bhima of the Mahabharata. 

 Ram isn’t really retarded, just terrorized by his sadistic, whip-wielding brother-in-law, Gajendra (Pran, of course), who, goaded by an evil mother, keeps Ram, along with his own wife and daughter, virtual prisoners in their palatial mansion.
 Shyam is strong, brave and mischievous,he is  Ram's long lost twin brother Shyam (Dilip Kumar) lives in a village with his adopted mother Ganga whom he believes to be his birth mother. No one other than Ganga knows the truth about the twin brothers. He escapes to the city, after a mischievous conflict with Ganga, and meets Anjana, who is impressed by his personality. Anjana and her father confuse Shyam with Ram. Ram meets Shanta who thinks he is Shyam and takes him forcefully to his mother. Ram and Shanta develop feelings for each other. Meanwhile, Shyam decides to take the place of Ram to face Gajendra.
The scenes of Dilip Kumar as the flamboyant Shyam are in sharp contrast to those of the timid Ram, who is so terrified of Gajendra that he dare not look him in the eye. The thespian’s bonhomie with his co-stars Waheeda Rehman and Mumtaz is apparent, leading to relaxed and memorable performances from all concerned.
Only a truly fine actor like Dilip Kumar could have done pulled off the double act so convincingly, making Ram Aur Shyam a lasting treat for Hindi film buffs.

Songs of Ram Aur Shyam
Aayee Hai Bahar Mite Zulmo" - Mohammad Rafi & Chorus


Aaj Ki Raat Mere" - Mohammad Rafi


Main Hoon Saqi Tu Hai Sharabi" - Lata, Mohammad Rafi





Saturday, 9 December 2017

A Tribute to Dada Muni on his 16th Death Anniversary

December 09, 2017 0 Comments

An actor who could capture all your attention in a single shot, a man who added glamour to Hindi film fraternity and promoted talents from all corners of the country, Ashok Kumar has ruled the silver screen and melted millions of hearts with his charismatic screen appearance and personality.He was the first superstar of Hindi cinema as well as the first lead actor to play an anti-hero. He also became the first star to reinvent himself, enjoying a long and hugely successful career as a character actor.

He never ever wanted to become an actor. He came to Bombay to become a director. Those days, actors were really looked down upon. They were believed to come from the lowest strata of society. So he joined Bombay Talkies as a technician. he worked in the camera department. Later, he was made a lab assistant." It was sheer fluke that he became an actor. 
 He got the lead role in Jeevan Naiya (1936), a Bombay Talkies production. His first big hit was Achhut Kanya (1936), where he again paired with Devika Rani. The film was about a Brahmin boy falling in love with a girl from the 'untouchable' class. 
He  was the first anti-hero of Indian cinema. Gyan Mukherjee's Kismet (1943) presented Ashok as a pickpocket who falls in love. This was the first film in Indian cinema that grossed at one crore rupees. So technically, Ashok Kumar was the one to set up the 'crore club'.
His rise to fame however rattled his parents. In an interview he said "My mother was certain that since I'd joined films, I would fall into bad ways. So without letting me know, she arranged my marriage. I didn't even see my wife before the wedding. Meeting your bride before marriage wasn't the done thing then".
Post Kismet, Ashok Kumar became the most bankable star of the era, delivering a succession of box office successes with movies like Chal Chal Re Naujawan (1944), Shikari (1946), Sajan (1947), Mahal (1949), Sangram (1950) and Samadhi (1950).
He produced several films for Bombay Talkies during the final years of the company including Ziddi (1948), which established the careers of Dev Anand and Pran,Later on he quit the Bombay Talkies and started Filmistan Studio with Shashdhar Mukharjee ,his desire to return to Bomaby Talkies was always there." He re bought Bombay Talkies in 1947. "Devika Rani had left by then. But the Talkies had fallen on bad days. The debts amounted to Rs 28 lakhs. We made movies like Majboor, Ziddi, Mahal and Mashal to repay the debts."
With the advent of the 1950s Ashok Kumar switched over to more mature roles, with the exception of the 1958 classic Howrah Bridge. Despite the arrival of a younger crop of stars like Dev Anand, Dilip Kumar and Raj Kapoor, Ashok Kumar remained one of the stars of the era with hits like Afsana (1951), Nau Bahar (1952), Parineeta (1953), Bandish (1955) and EK Hi Raasta (1956). His most successful film of that era was Deedar (1951), in which he played second fiddle to Dilip Kumar.

Ashok Kumar played an important role in several landmark movies in the 1960s and 1970s, including Jewel Thief (1967), Aashirwad (1968) (for which he won a Filmfare Award as well as National Award in 1969), Purab aur Pashchim (1970), Pakeezah (1972), Mili (1975), Chhoti Si Baat (1975) and Khoobsurat (1980).
Ashok Kumar's last film role was in the 1997 movie Aankhon Mein Tum Ho.

. Altogether, he starred in over 275 films. He has done more than 30 Bengali dramas in Dhakuria.He was honored in 1988 with the Dadasaheb Phalke Award, the highest national award for cinema artists, by the Government of India and also received the Padma Bhushan in 1999 for his contributions to Indian cinema.
He died at the age of 90 in Mumbai on 10 December 2001 of heart failure at his residence in Chembur. The then Prime Minister Atal Bihari Vajpayee described him as "an inspiration... for many generations of aspiring actors.

Songs from Ashok Kumar's Films
Koi Hamdam Na Raha from Jeewan Naiya 1936


Song from Achhut Kanya 1936


Original Ek Chatur Naar from Jhula 1941


Song from Kismet 1943


Naani ki naao chali  from Aashirwad


Song from Aashirwad 1968





Thursday, 7 December 2017

Dharmendra-The Original He Man of Bollywood

December 07, 2017 0 Comments

Happy 82nd Birthday DHARMENDRA
Dharmendra was born in Punjab on December 8, 1935, and spent most of his childhood in Sahnewal village.Came to Bombay in 1958 and won the ‘New Talent’ contest conducted by Filmfare magazine.Got his first break in the 1960 film ‘Dil Bhi Tera Hum Bhi Tere’, Got the real star status after giving the biggest hit of the year 1966 Phool Aur Patthar’
He became the first He Man of the Industry.Dharmendra blended machismo with marshmallow tenderness and won a major female following.
In the ’60s, Dharmendra represented moral seriousness in Hindi cinema; in film after film, the characters he played tried to reconcile the conflicting demands of love, advancement and integrity. He specialised in playing the respectable professional. He was a jail doctor in ‘Bandini’, a barrister in ‘Mamta’, an engineer in ‘Satyakam’ and ‘Aadmi aur Insaan’ Dharmendra played himself in the 1971 comedy ‘Guddi’, which did reasonably well at the box office.
After the success of Mera Gaon Mera Desh (1971) the image  of an action hero.got confirmed.Dharmendra acted in several action films such as ‘Dharam Veer’,Sholay ‘Charas’, ‘Ghazab’ Jugnu,Azaad, Katilon Ke Kaatil, , Bhagawat, Jaani Dost, Dharm Aur Qanoon, Main Intequam Loonga, Jeene Nahi Doonga, Hukumat, and ‘Rajput’. In his long career consisting of some 300 films.
In 1983 Deol set up a production company known as Vijayta Films. Its first film was Betaab, released in 1983, starring his son Sunny Deol as the lead actor in his debut movie. The film was a blockbuster. In 1990 he produced the action flick Ghayal, also starring Sunny. Dharmendra launched the career of his younger son, Bobby, in 1995 in Barsaat.He also launched his nephew Abhay Deol in Socha Na Tha (2005).
Dharmendra never got Filmfare award for acting but I consider he gave excellent performance in films like Phool aur Patthar’, ‘Satyakam’, ‘Chupke Chupke’, ‘Pratigya’, ‘Sholay’ and ‘Naya Zamana’
Dharmendra is a gentleman he had no dispute with anyone personally,perhaps this is the secret behind his evergreen popularity.He was awarded the Padma Bhushan in 2012.
Dharmendra married Hema Malini who was his heroine in many films.It was his second marriage.His first marriage was to Parkash Kaur at the age of 19 in 1954. From his first marriage, he has two sons, Sunny and Bobby, successful actors, and two daughters, Vijeeta and Ajeeta.
On his birthday I present some of his hit songs
         Song from Shola Aur Shabnam (1961)


Song from Aap Ki Parchhaiyan (1964) 


Song from Dil Ne Phir Yaad Kiya (1966) 


Song from Baharen Phir Bhi Aayengi (1966)


Song from Mere Hamdam Mere Dost (1968) 


Song from Jeevan Mrityu (1970)


Song from Seeta Aur Geeta (1972) 


Song from Kahani Kismat Ki (1973) 


Song from Black Mail (1973) 


Song from Pratigya (1975)


Song from Sholay (1975)


Song from Dharam Veer (1977) 

RARE PHOTOES OF DHARMENDRA

Dharmendra with his family members in Punjab
dharmendra-wife-daughter.
Enjoying the Birthday party
Hema and Dharmendra Marriage

Dharmendra with Sunny and Bobby




Wednesday, 6 December 2017

The Shirtless Heroes of Bollywood

December 06, 2017 0 Comments

Dara Singh, the first He-Man of Hindi cinema who had the distinction of going shirtless for nearly all his films. It was mandatory for Dara Singh to expose in every film poster as he was the undisputed wrestling champ of India. Those days Bollywood actors were not always known for their bodies, the primary focus was on their acting skills which dominated the screen.
When we look back to see the old heroes shown shirtless the first film comes in my mind is Mr & Mrs 55 in which Guru Dutt actually makes his first cameo–as a shirtless fisherman.The most famous Shirtless was Dharmendra in Phool Aur Pathar.


Dharmendra

The first time that showed a popular hero going shirtless on a movie poster was none other than Dharmendra in OP Ralhan’s ‘Patthar Ke Phool’ in 1966 and in Anil Sharma’s ‘Elaan-E-Jung’ in 1989. He was considered the most handsome looking he-man hero who could make his female fans swoon over him.The poster of ‘Patthar Ke Phool’ raked up a storm among the crowd as it was for the first time that an ‘A’ grade movie playing a common man went shirtless standing near a heroine.
Sanjay Dutt

After many years a hero appeared as He Man was Sanjay Dutt.In his debut film Rocky he was shown shirtless but shirtless body was displayed in Feroz Khan’s ‘Yalgaar’ poster. Salman khan in an interview said that he was inspired by Sanjay Dutt's body and started making under his guidance. 
Sunny Deol

.Contemporary to Sanjay Dutt was another hero Sunny Deol,the son of the original He Man
Dharmendra.Like his father Dharmendra was a fitness freak who played strong men characters in action films. He did strip in a couple of scenes in his debut movie ‘Betaab’ and Rajkumar Santoshi’s ‘Ghayal’ and ‘Ghatak’ but never on a poster. JP Dutta’s ‘Kshatriya’ was probably the first poster where he went shirtless along with Sanjay Dutt.
Salman Khan

It is Salman Khan who started the Trend of shirtless in bollywood. Though he was shown shirtless in Maine Pyar Kiya but the real trend started after the song "O O Jane Jana" from 1998 film Pyaar Kiya To Darna Kya. After that  every movie of this super star doesn’t get full stop without the insertion of any shirtless scene.
Ajay Devgan

Ajay Devgan made his acting debut with ‘Phool Aur Kaante’ in 1991 and has come a long since then. He too had a lean physique until he went shirtless for ‘Omkara’ where he pumped iron. The poster of Rohit Shetty’s ‘Singham’ made him strip for the movie poster which was followed up by ‘Action Jackson’
Hritik Roshan

One of the fittest and most handsome hunks in contemporary Bollywood.His first film was Kaho Na Pyaar Hai was released in 2000 but It took almost a decade for Hrithik to go topless in Zoya Akhtar’s ‘Zindagi Na Milegi Dobara’ in 2011
John Abraham

John is famous for going shirtless in almost every movie of his. His debut movie ‘Jism’ followed by ‘Paap’ set the trend for all his movies. One of the best bodies in the business, his notable films where he stripped for scenes were in ‘Dostana’, ‘Dhoom’, ‘Race 2’ and ‘Shoot Out At Wadala’, etc

 Now, however, with increasing pressure on looks, actors have to work hard to achieve a chiseled look in order to ‘stay in the game.In today's generation of Heroes Tiger Shroff  and Varun Dhawan are two heroes having good physique.
Tiger Shroff
Varun Dhawan
SONGS

Song from Yalgaar 1992




Song from Bang Bang 2014


Song from Desi Boyz


Song from Goliyon Ki Rasleela Ram-leela








Tuesday, 5 December 2017

December 05, 2017 0 Comments

Today Western music rules youngsters' playlists but there are many youngsters who like to listen Ghazals. When we talk of Ghazals in today's scenario only one name appears in our mind that is the Legendary  Ghazal singer Ghulam Ali.
On his 77th Birthday I write this blog about his association with Bollywood.Though, he has hardly lent his voice to Bollywood, the few of his Ghazals that made it to the big screen have remained Indian audiences’ all time favorite. 
Ghulam Ali was born on 5th Dec 1940 , at village Kaleke, district Sialkot, which is now a part of Pakistan.He belongs to a musical family, his father was vocalist and sarangi player who trained him earlier, he also learnt from Bade Ghulam Ali Khan's brother Ustad Barkat Ali Khan who is another great singer.
Owing to his immense popularity, some of his ghazals have been used in the Indian Hindi movies. His popular ghazal "Chupke chupke raat din.." has been used in the movie Nikaah featuring Raj Babbar and Salma Aghaa. Moreover, many of the Hindi film songs have been "inspired" from some of his ghazals. "Thodi si jo pi li hain, chori to nahi ki hain" from Namak Halal (Ghazal - Hungama hain kyon barpa) as you would recognize, is one them.
The first time his Ghazal(a small part in the background ) was taken in Hindi film Chhoti Si Baat in 1975,but his ghazals became popular among Hindi film goers from 1982 film Nikaah.In 1984 again in Maati Mange khoon his Ghazal was being played in background.He was associated with Aawargi(1990),Beti No 1 (2000),Bewafaa (2005) and very recently with Ghar Wapsi.
In Ghar Wapsi, he has also contributed to song Apni Mitti Ki Khushboo Hain Rago Mein Yeh Basi Hai…Choomenge Isko Shaan Se. Humko Toh Pyaara Hain Yeh Watan, Apni Jaan Se.
Song from Nikaah (1982)


Song from Maati Maange Khoon (1984)


Song from Aawargi 1990


Song from Bewafaa (2005)






Monday, 4 December 2017

SHASHI KAPOOR- The Prince Charming of Bollywood

December 04, 2017 0 Comments

A Tribute To Shashi Kapoor
From the age of four, Shashi Kapoor acted in plays directed and produced by his father Prithviraj Kapoor.He first appeared in films in the 1948 film AAG where he played the younger version of the characters played by his eldest brother Raj Kapoor and then he appeared  in Sangram (1950), where he played younger version of Ashok Kumar.
He was a very popular actor in Bollywood during the 60s, 70s and until the mid 80s.He made a hit Jodi with Amitabh Bachchan in the 70s.The two co-starred in a total of 12 films:
Shashi Kapoor made his debut as a leading man in the 1961 film Dharmputra and went on to appear in 116 Hindi films, including 61 films as the solo lead hero and 55 multi star-cast films, 21 films as supporting actor and special appearance in 7 films. 
He got an opportunity to work as an assistant director in the film Post Box 999, the debut film of Sunil Dutt, and worked as an assistant director to Ravindra Dave in Guest House(1959), which was followed by movies such as Dulha Dulhan and Shriman Satyawadi, where Raj Kapoor was the lead hero.
He personally regarded his best performances as solo lead hero in Hindi films were in Neend Hamari Khwab Tumhare , Jab Jab Phool Khile, Haseena Maan Jayegi , Pyar Ka Mausam, Raja Saab (1969), Jaanwar Aur Insaan, Mr.Romeo, Aa Gale Lag Jaa, Chori Mera Kaam, Phaansi, Junoon, Kalyug , Pighalta Aasman, New Delhi Times 
In 1978, he set up his production house, Film Valas, which produced critically acclaimed films such as Junoon (1978), Kalyug (1981), 36 Chowringhee Lane (1981), Vijeta (1982) and Utsav (1984).[22] In 1991 he produced and directed a fantasy film titled Ajooba which had his frequent co-star Amitabh Bachchan and nephew Rishi Kapoor in the lead.
He met English actress Jennifer Kendal in Calcutta in 1956 while both were working for their respective theatre groups. Shashi was both assistant stage manager as well as an actor for his father's theatre group, Prithvi Theatre. Geoffrey Kendal's Shakespearean group was also present at the same time in Calcutta and Jennifer was Geoffrey's daughter. After their subsequent meeting, the couple fell in love and after facing initial opposition from the Kendals and support from sister-in-law Geeta Bali, they got married in July 1958.
Shashi_Kapoor_receiving_Dadasaheb_Falke_award_from_Arun_Jaitley.

 In 2011, he was honoured with the Padma Bhushan by the Government of India for his contributions to Art-Cinema.[4] In 2015, he was awarded the 2014 Dadasaheb Phalke Award, making him the third member of his family to receive the highest award in Indian Cinema after Prithviraj Kapoor and Raj Kapoor
He died yesterday on 4th Dec 2017 at the age of 79 at 5.20 pm. He had kidney problem for several years. He was on dialysis for several years." Kapoor is survived by two sons, Kunal and Karan, and a daughter, Sanjana, who takes care of the Prithvi Theatre
Song from Jab Jab Phool Khile 1965


Song from Neend Hamari Khwab Tumhare 1966


Song from Abhinetri 1970

Song from Sharmilee 1971


Song from Aa Gale Lag Jaa (1973)







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